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Campbell Padilla has built her career photographing her husband Garrett, capturing the nuances that make him compelling to audiences. When gallery owner Marjorie Murray commissions stills for Garrett's new project, Campbell accepts, expecting a professional assignment. Instead, the sessions draw her into documenting the growing intimacy between Garrett and Marjorie. What begins as observation shifts into a deliberate exploration of voyeurism, power exchange, and her own place in the dynamic. Campbell sets the lights, follows instructions, and records the moments that mark her transition from central subject to witness. The work reframes her marriage and her identity as an artist, leaving her to decide how much of herself she will archive in the images she creates.